DUBSTEP
Moderatorzy: Nasum, Heretyk, Sybir, Gore_Obsessed
- So_It_Is_Done
- rasowy masterfulowicz
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Re: DUBSTEP
Troche elektornicznego hardkoru robionego na Amidze. Chyba ma to coś wspólnego z ATR.
Dziękuję Boże, że istnieje black metal.
- Triceratops
- Biały Weteran Forume Tańczący na Kurhanach Wrogów
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- twoja_stara_trotzky
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- Morph
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Re: DUBSTEP
Fana płytka się zapowiada:

ESKMO eskmo
Ninja Tune 2010
Welcome, Ninja Tune’s latest signing: the one and only Eskmo, AKA Brendan Angelides, a native of Connecticut now based in San Francisco. Widely heralded within the community as one of the most original of a new wave of electronica artists, his eponymous debut album for Ninja Tune finally offers Eskmo a canvas broad enough to create his first masterpiece. Embracing and exploring glitch, dubstep and R’n’B, and ayering his own ethereal vocals into the dreamy mix, it’s a fine showcase for everything that has made Eskmo such a whispered-about talent.
Angelides has been making tracks as Eskmo since 1999, recording a series of tracks and remixes for labels like Planet Mu and Warp in
recent years, and releasing two acclaimed singles, ‘Hypercolor’ and ‘Angus Dei’, on his own Ancestor imprint in 2009. Eskmo’s won the
patronage of fellow Ninja-artist, the legendary Amon Tobin, with whom he’s collaborated as Eskamon, while Flying Lotus hand-picked this kindred spirit to play his Brainfeeder Sessions. Via these channels, he was discovered by Ninja Tune, who swiftly invited Eskmo to join their hallowed ranks, and release a debut album.
For this album, Eskmo has abandoned the strictures of making tracks for the dancefloor and the strictures of the 12” single format, and
followed his visionary muse. “Before Warp and Planet Mu I kind of fell into the game of making tracks to get released on smaller dance labels, having to cater to ‘dance’ formulas,” he explains. “Over this past couple of years, I feel I’ve let go of that, and am just writing the songs I want to write. I got back to what excited me about making electronic music when I started out, creating these little universes with sound and writing songs.”
The album was, he says, written over a six month stretch “in the middle of a whole bunch of personal relationship-type stuff, a lot of
deep life-experience type stuff happening that helped the music just bleed out of me. I just poured all those feelings into the music, it’s
very cathartic. I allowed myself to let go of DJ structure – it’s not a ‘dance club’ album, because that kind of stuff hasn’t inspired me in
years. This is the first full body of work where I’m singing all over it, and allowing myself to get over that furlough of expression has
been really liberating.”
The first release on the label following Ninja Tune’s 20th Anniversary box set signals a brave new chapter for this artist, and for
electronica itself. Dreamy, haunting, full of ghostly funk and inventive sonics, Eskmo serves up electronica with a most human heart.

ESKMO eskmo
Ninja Tune 2010
Welcome, Ninja Tune’s latest signing: the one and only Eskmo, AKA Brendan Angelides, a native of Connecticut now based in San Francisco. Widely heralded within the community as one of the most original of a new wave of electronica artists, his eponymous debut album for Ninja Tune finally offers Eskmo a canvas broad enough to create his first masterpiece. Embracing and exploring glitch, dubstep and R’n’B, and ayering his own ethereal vocals into the dreamy mix, it’s a fine showcase for everything that has made Eskmo such a whispered-about talent.
Angelides has been making tracks as Eskmo since 1999, recording a series of tracks and remixes for labels like Planet Mu and Warp in
recent years, and releasing two acclaimed singles, ‘Hypercolor’ and ‘Angus Dei’, on his own Ancestor imprint in 2009. Eskmo’s won the
patronage of fellow Ninja-artist, the legendary Amon Tobin, with whom he’s collaborated as Eskamon, while Flying Lotus hand-picked this kindred spirit to play his Brainfeeder Sessions. Via these channels, he was discovered by Ninja Tune, who swiftly invited Eskmo to join their hallowed ranks, and release a debut album.
For this album, Eskmo has abandoned the strictures of making tracks for the dancefloor and the strictures of the 12” single format, and
followed his visionary muse. “Before Warp and Planet Mu I kind of fell into the game of making tracks to get released on smaller dance labels, having to cater to ‘dance’ formulas,” he explains. “Over this past couple of years, I feel I’ve let go of that, and am just writing the songs I want to write. I got back to what excited me about making electronic music when I started out, creating these little universes with sound and writing songs.”
The album was, he says, written over a six month stretch “in the middle of a whole bunch of personal relationship-type stuff, a lot of
deep life-experience type stuff happening that helped the music just bleed out of me. I just poured all those feelings into the music, it’s
very cathartic. I allowed myself to let go of DJ structure – it’s not a ‘dance club’ album, because that kind of stuff hasn’t inspired me in
years. This is the first full body of work where I’m singing all over it, and allowing myself to get over that furlough of expression has
been really liberating.”
The first release on the label following Ninja Tune’s 20th Anniversary box set signals a brave new chapter for this artist, and for
electronica itself. Dreamy, haunting, full of ghostly funk and inventive sonics, Eskmo serves up electronica with a most human heart.
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- kampeki
- postuje jak opętany!
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- Morph
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Re: DUBSTEP
Ciekawe czy lepsze od Lords of Chaos 
W międzyczasie ww. Eskmo obadałem razy paręnaście i naprawdę fajna płytka.

W międzyczasie ww. Eskmo obadałem razy paręnaście i naprawdę fajna płytka.
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- Morph
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Re: DUBSTEP

MATTA prototype
Ad Noiseam 2010
W skrócie - bardzo, kuffa, dobre

Komu się podoba lekko ciężki dubstep z kosmicznymi przestrzeniami temu polecam się z debiutem Matta zapoznać. Chętnym na wyprute FLACi mogę wysłać sznura na prajwa.
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- deusk
- rozkręca się
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- Rejestracja: 22-11-2009, 22:34
Re: DUBSTEP
Będę się powtarzał ale napiszę jeszcze raz większość z Ad Noiseam jest zajebista. Od mimalu, ambientu do D&B o ile lubi się coś więcej niż kopie np. aphex twin. Co do matta to faktycznie album przekurwisty, ściągnij sobie MORPH i sprawdź jeszcze Release the freq. I jeszcze ciekawy projekt http://www.myspace.com/igorrrrrrrrrr
- Morph
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Re: DUBSTEP
Ale przecież wszystkie kawałki z Release the Freq są na Prototype .
Do Igorrr jakoś nie mogłem się przekonać ale na pewno dam mu jeszcze jedną szansę.
A co do samej Ad Noiseam - w zasadzie podobnie jak Ninja Tune - gówna nie wydają.
Do Igorrr jakoś nie mogłem się przekonać ale na pewno dam mu jeszcze jedną szansę.
A co do samej Ad Noiseam - w zasadzie podobnie jak Ninja Tune - gówna nie wydają.
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- white_pony
- weteran forumowych bitew
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- twoja_stara_trotzky
- mistrz forumowej ceremonii
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Re: DUBSTEP
poproszę.Morph pisze:
MATTA prototype
Ad Noiseam 2010
W skrócie - bardzo, kuffa, dobre.
Komu się podoba lekko ciężki dubstep z kosmicznymi przestrzeniami temu polecam się z debiutem Matta zapoznać. Chętnym na wyprute FLACi mogę wysłać sznura na prajwa.
- Deathless King
- weteran forumowych bitew
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-
- zaczyna szaleć
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Re: DUBSTEP
jeśli byłaby taka możliwość to również poproszę
- Morph
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- Deathless King
- weteran forumowych bitew
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- Morph
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Re: DUBSTEP
Otwieracz i Echo Babylon polecam zwłaszcza.
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- Deathless King
- weteran forumowych bitew
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Re: DUBSTEP
Jak na razie jestem na 2 kawałku, podoba mnie sie. Jak ktos lubi taki materiał to polecam Broken Note - Terminal Static. Łatwo dorwac we flacu.
Only duzo tremolo na nietlumionych strunach is true!
- Morph
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Re: DUBSTEP
Broken Note jest mimo wszystko cięższe, bardziej "Scornowate", co nie zmienia faktu, że bardzo OK. Matta wpada w podobne rejony jak Kryptic Minds, granie tłuste, ale bez miliona ton ciężaru.
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